mosign
From the analysis and research on your brand positioning, your image, your strategy, and your targeted market to the conception of artistic events we accompany you with artisanal precision and a total adaptability of intervention.
Our knowledge comes from communication and social sciences, and the aesthetics of the arts. Over the last ten years our competences have been built through working closely with brands, research institutes, strategy and communication agencies on high added value luxury markets. This practical expertise is nurtured by constant and direct contact with the contemporary artistic creation.
Today our activities approach consulting, strategy and artistic creation in a permanent dialogue in order to integrate to our interventions the added value necessary to excellence.
mosign is directed by Luca Marchetti and Emanuele Quinz and counts on an international network of collaborators with strategic and creative profiles.
Luca Marchetti
Semiotician and consultant in brand identity and strategy, Luca is the interlocutor of luxury brands, research institutes and communication agencies. He is professor of Semiology of Fashion and Design at the Ecole Nationale Supérieure des Beaux Arts in Lyon (ENSBA) and also teaches applied semiotics at the CELSA (Université de Paris IV, La Sorbonne) and the Institut Français de la Mode (IFM, Paris). In addition to collaborating with such magazines as Vogue Italia, Casa Vogue, Lotus International, Form and Domus, he is also a regular contributor to publications on fashion and design.
Emanuele Quinz
Art historian, Emanuele teaches contemporary Art and Aesthetics of new media at the universities of Tours, Paris-VIII and at the School of Fine arts of Brera (Milan).
Formerly director of the review Anomalie: digital_arts, he curated several research works . As an independent curator, he directed several exhibitions including Invisibile (2004).
Together they founded mosign and have directed international projects such as Basic Instincts (Berlin, 2011; Shanghai, 2012), Dysfashional (Luxembourg, 2007; Lausanne, 2008; Berlin, 2009; Paris and Moscow, 2010; Jakarta, 2011), Experience Design (Bolzano, 2005), FIRs : Fashion Italian Roots (Brussels 2004) and en:trance (Bolzano 2004, Paris 2006-2007).
Emanuele Quinz
Historien de l’art, il enseigne l’Art contemporain et l’Esthétique des nouveaux médias aux Université de Tours et Paris-VIII et à l’Ecole des Beaux-Arts Brera de Milan.
Fondateur et directeur d’Anomos, directeur de la revue anomalie digital_arts, il a dirigé plusieurs projets de recherche et plusieurs ouvrages dont Du corps à l’avatar 1.0 (anomos, 2000), La scena digitale. Nuovi Media per la Danza (Marsilio, 2001) avec A.Menicacci, Digital Performance (anomos, 2002), Interfaces (anomos, 2003) et MilleSuoni (Cronopio 2006). En tant que commissaire indépendant, il est à l’initiative d’expositions d’art contemporain comme Invisibile (2004) au Palazzo delle Papesse à Sienne (Italie).